|
It's understandable that a
lot of people do not want to see this movie. Most people
will be one way or the other... either really wanting to see
this or really not wanting to see this. I can't imagine many
people just saying "meh... maybe I'll see it on a
whim."
Shortly after 9/11, the
aspiring filmmaker in me decided that years and years from
now (which is now then), I want to make a movie about 9/11.
I thought it would be much longer until it was acceptable to
make a film about the day, but times change and people
change. I now think that it was the right time to make this
movie. I didn't know the story about the officers the movie
revolves around, but the movie is just how I imagined it
would be. I don't have to make this film anymore. Oliver
Stone did and he did it well.
And first off, let me go
ahead and commend them on the use of "Fix You" by Coldplay
in the trailers. It worked perfectly.
There's a big question mark
when people ask if the Academy of Motion Picture Arts
& Sciences is going to honor the two 9/11 movies, United
93 and World Trade Center, with nominations come
the first of next year. The answer would have to be...
maybe. I think they have just as good a chance as any other
movie. It just depends on the competition. I think voters
will give them an equal chance and I do think there is a
possibility that due to the subject matter, they might be
even more favored. But the fact is, both are excellent
films.
Oliver Stone managed to make
a film that in just about every frame manages to disguise
itself as a film made by any other director. His movies are
usually politic-heavy and aggressive. This is not. The film
is powerful. For me, as an American who experienced the day
as much of the rest of the country did, it was like reliving
the experience without the horror. You already know what
happened, so you aren't exactly horrified watching it. But
you do go through the emotions that you had that day...
anger, bitterness, sadness, worry, anxiety.
For the first part of the
movie, leading up to the collapse of the first building on
top of the officers, you are very anxious. The closer it
gets to happening, the faster your heart beats. Everything
is how you would imagine it would've been if you had been
there. An ordinary day, then that happens.
After the collapse, you get
to know Nicholas Cage and Michael Peņa's
characters and their families very well. Cage and Peņa do a
great job portraying these real people... and yet, they are
stuck in the same position using only their face and voice
to do the acting. Michael Peņa is stellar in this role. He
was excellent in Crash, but he's even more
wonderful in this. He is very dynamic when he can't even move.
I hope he is remembered come Oscar
time.
The wives are played by Maria
Bello (Cage's wife) and Maggie Gyllenhaal (Peņa's).
Both are very good and do excellent jobs of portraying the
angst of not knowing where your husband and the father of
your children was or even if he was alive. The beautiful
Maria Bello transformed herself, putting in contacts and
gaining weight so that she could capture the softness of her
real-life counterpart. Maggie Gyllenhaal turned me into a
fan of hers. I was never crazy about her, especially her
politics. But she assuredly captured the reality of her
role.
Jay Hernandez was
another who gave a good performance. His role was smaller
than the others, but he was still very convincing and pulled
off a great accent.
The movie is paced nicely,
although if you don't pay attention to details and to the
depth of the performances and settings, you mind might
wander off
and later complain that it was too slow. Honestly, that
would be your own fault.
The film definitely works.
The writer worked very closely with the families and so what
you see is pretty much what really happened. This is not the
type of story that you can get away with fudging any of the
structure, so they didn't. They kept it real.
It's difficult to watch,
emotionally, but it's worth it. The emotion of this event
could not and should not have been left out, and it wasn't.

|